Tuesday, November 2, 2010

Little Things I Love About Italy

I have been in Tuscany for four weeks. This is my first blog post. This is not because I have not been having interesting or noteworthy experiences. On the contrary, I've had too many, and too little time to reflect. Since I still have not been able to process it all, yet want to share something, however little, I've decided to keep my first post from Tuscany intentionally light. Just the little things I love.

The little burner on the stove designed for your moka pot.

The fridges which are a third of the size of American fridges, but easily accommodate a couple bottles of wine with corks hastily stuck in their tops.

The only real questions about your espresso are whether it will be good or great or superb and where it will fall between eight-five cents and a euro.

People spend so much time laughing, talking, and being together.

Is it silly to say the food?

Everyone gives everyone else shit, and it's expected. No one expects to be taken too seriously.

Everyone has the same handwriting (exactly like my dad's). Huh?

The weeds along the side of the road include fennel, mint, wormwood, and chives, and often abut gigantic, woody bushes of lavender, rosemary, and sage.

Everyone knows exactly when everything is ripe, when everything is harvested, when everything is at its best. There are four more days for artichokes.

All the old harvest festivals enshrined in the big religions are mirrored by actual festivals here, genuinely celebrated by everyone. One for the wine, one for the butchers, one for the chestnuts, one for the truffles, surely one for the olive oil, though I still have to find it.

The absurdly incompetent, buffoonish, lascivious, hyper-corrupt prime minister actually causes few problems outside of Italy (compared to American presidents), while at least giving everyone here something about which to commiserate.

Ordinary supermarkets carry all the same stuff as fancy, luxury markets in the US, but at a third of the price (except Coca-Cola, which is three times more expensive... ha).

The sounds. The gestures.

Eating bunnies, tripe, and lungs is totally normal.

Wines are marked up maybe 10-20% in restaurants, rather than 300-400% as in the US.

Steaks... see above. And gosh, they're good. And always, always rare.

Tips are considered offensive when they're more than a couple coins because it implies that the staff (often the family that owns the place) is underpaid.

No one orders a cappuccino after 10am. And if you get a drink before dinner, it's a spritz (Aperol or Campari with prosecco and a slice of orange). And if you have a drink after dinner, it's grappa. Unless you overate, in which case it's Fernet.

Everyone routinely eats wild mushrooms, and enough people forage them that it's considered normal.

Everyone loves America and hates our government.

Because practically every restaurant is great, people just go where they most like the people.

No one really knows how to use half of the tenses.

Every city in Italy (and many towns) has its own name for practically every cut of meat.

Men talk wistfully of their mother's cooking, with trepidation for the time when it will be gone.

People would rather risk absurdity to look good than be boring to look normal.


Tiny cars.

There are about twenty newspapers.

Tuscany is, along with Emilia-Romagna, the most consistently radical left region in Italy.

If it's not at least 500 years old, it's not old.

Dogs can go just about anywhere, and are warmly welcomed in most restaurants.

Cactuses and mushrooms grow side-by-side.

People constantly offer each other tastes and grab food off each other's plates. People always buy each other coffee.

Delicious wine grapes left to be nabbed after the vendemmia (the harvest).

Figs along the walkways. And that sweet, mushy, red and yellow berry, like a spiky cherry. Oh.

Lots of little dogs for Goldstar to intimidate.

Well, I could probably go on. And, if I were so inclined, I could do a similar list of all the things that frustrate me (and many others) about Tuscany and/or Italy (surely, Berlusconi would be featured more prominently), but why bother.

Cheers,

David


Friday, August 13, 2010

Feeling Wild

A few days ago, I took the path less traveled. When walking in the woods, I usually do. It surprised me that I'd never noticed this path before. Clearly not an official park path, maybe it had been at some point, or maybe it's just for ranger use. As I walked up Bradbury Mountain on this mossy trail, I was treated to a magnificent boulder field. Already, the exploration had proven worthwhile. Climbing up past the top boulder, I had a little trouble finding the trail again, but soon did, and walked on a little way. Then I stopped. I smelled something. Black trumpets. Unmistakable. I looked around a few times. At first, nothing. And then...

I spent the better part of two hours exploring and harvesting this patch of black trumpets, which truly went on and on and on. Sadly, it was well past the peak of this flush, and while I came home with a very impressive pile of some very good (and some frankly borderline) black trumpets, for every one I took there must have been ten that were too far gone.

It's always a gift to be reminded of the Earth's immense bounty and generosity. I felt this as I picked the mushrooms, and soon lost myself in musings about fungal consciousness, spurred on by my current read, Mycelium Running by Paul Stamets. It is a magical spot, as are all places where mushrooms grow, which is almost the equivalent of saying all places that are profoundly alive.

What will stick with me about that day, always, is that it was the first time I unequivocally found mushrooms by sense of smell, thereby doubling the number of senses I've used in the act of foraging. This sudden and vast expansion of my sensory connection to the living world which supports me, entrances me, and, despite my lingering cultural hang-ups, is me, left me feeling substantially more wild. Wild animals are noted for the keenness of their senses. Civilized humans are so dull they need to be bludgeoned just to register some signs of life (how many rapes and murders does the average American see on TV each week?).

Moreover, smell is not just another sense. Each sense possesses unique qualities, offers unique possibilities. It is difficult to tell a story in odor. Yet no song, no face, no touch can collapse the expanse of time quite like scent. Yesterday, I noticed an unfamiliar herb in my friend's garden. I plucked the tender tip of a stem with its bunch of tiny, silver leaves, rubbed it in my fingers, and smelled. For a flashing moment, I was a seven year old in Tuscany. Later, I learned it was wormwood, artemisia absinthium, which is indigenous and wild in central Italy. I have no idea precisely when or where I smelled it as a child. Presumably, it was a regular feature of the aromatic landscape. On this occasion, the odor transported me to a period in my life, long ago. Sometimes, odor brings us to a precise moment. Either way, it is our time machine. And we usually ignore it.

What does it mean to “rewild”? Surely, some of you have heard the term, perhaps some have not. It is a by-word in the culture of resistance to the dominant culture. It means to restore, either internally or externally, the qualities and characteristics of wildness. What does it mean to be wild? I think Henry David Thoreau said it well: “Life consists with wildness. The most alive is the wildest.” The dominant culture, the culture of nihilism, indeed a culture improperly so-called for it is the antithesis of culture itself, demonizes wildness, which is useful insofar as it facilitates the wholesale destruction of the community of life, including wild humans, including the beautiful, wild elements in civilized people, largely drummed out in childhood.

Wildness, along with the related word savageness*, has become associated with violence, mindlessness, and callousness. This is wrong. To be wild is to be a free agent, uncoerced, to be engaged, to be profoundly alive, to feel deeply, to see clearly, to connect. In the old Norwegian tale Valemon and the Wild Third Daughter, the great white bear Valemon carries the girl away from her parents' castle and into the deep woods. He begins the initiatory process with two questions. Have you ever sat more comfortably than you do now? Have you ever seen more clearly than you do now? To be wild, or, for those of us raised and living in captivity, to rewild, is to sit comfortably in this world, to sense keenly, to take part in the great dance, riding on the backs of our great animal energies toward our destinies.


* Check out the etymology of "savage." The historical progression is fascinating.

Wednesday, July 28, 2010

Killing Big Shot

Yesterday, I killed someone. Today, I ate her liver. No Chianti. I have a doctor appointment in an hour.
My victim was not a victim, at least not mine. She was a two year old laying hen who was mysteriously assaulted in the middle of the day, possibly by a neighborhood dog, possibly by a fox or fishercat or raccoon. My friend found her on the ground with a punctured windpipe. We decided to help her die as quickly as possible. I brought her to the killing cone, pet her, talked to her softly, and slit her jugular. There wasn't a lot of life left in her, but I think it was right to get her beyond that awful suffering, which may have lasted another hour or more.
Three weeks ago, I became a killer. In a sense. I killed a rooster named Big Shot. Now I'd killed before. Many times. Innumerable plants. Far more bacteria and other microorganisms. A few arthropods and crustaceans, at least a couple fish. Thousands and thousands of insects, many on purpose. I'd stepped on frogs without knowing it, and run over more. I hit a deer when I was sixteen, and had neither the mindset nor the tools to help her die. I ran over a squirrel last week. More significantly, I eat. It felt profoundly different than any of my previous killings to intentionally kill a beautiful and familiar land animal by slitting his throat. I have a throat.
I'm actually responsible for a lot of death, but usually someone else has the job of killing. What would it be like to kill a fair portion of my food? How would that change my relationship to my food, to the plants and animals, to the land of which they and I am part? I also take part in the industrial economy, which not only wantonly kills tens of thousands of people every day, but whole ecosystems, indeed the whole planet. If I am to meaningfully oppose the industrial economy, I better know what I actually stand for, or, better yet, with whom I stand in solidarity. Becoming aware of and taking responsibility for the lives I directly or indirectly take is a crucial step in this process. Learning to kill is a difficult but important step toward gaining what Lierre Keith calls “mature knowledge.”
Big Shot had it coming. He was a rapist. Really, all farmyard roosters are rapists, and in the community of chickens, which is not to be confused with the community of humans, the hens don't generally seem too perturbed by aggressive males running over and forcibly mounting them. It's only a problem when there are too many males. The males become hyper-aggressive, fighting each other viciously and often clawing out the back feathers of the hens who get mounted too often and too furiously. In the wilds of Southeast Asia, the chicken's native habitat, males kill each other off and die protecting the hens from predators. In a stable chicken community, there should be no more than one rooster for every ten hens. We were well above that. And Big Shot was the bad rooster in the bunch. He had to go.
Big Shot was a gorgeous bird, probably the handsomest on the farm. A big, proud, golden rooster, well proportioned and strong. I hope he passed along some of those genes. We may have an inkling in the next few days, as it looks like we're nearing the first hatching of the year. And Big Shot had other virtues, for which my friend thanked him as she stroked and held him before the killing. He brought fertility to the soil. He often protected the hens. Soon, we would eat him.
When the moment came, my will faltered. My first slice didn't even get through his skin. Without a pause, knowing that I had to act instantly to prevent unnecessary suffering, I made a second, decisive cut. The bird was inverted and when the knife passed through his jugular, his blood exploded onto my left hand. There was a lot of blood. Big Shot looked sleepy. We were with him as much as we could possibly be, honoring him and ushering his spirit to the other side. But then I felt faint. Nausea swelled up, and I had to kneel against the tree to keep from passing out or puking. I felt ashamed. I kept reassuring my friend that it would pass in a moment, but it didn't. She told me to get the hose and pour some cold water on my head, and drink some. I did, and felt better at once. By then, Big Shot had gone through his thrashing. Who knows if that's when the soul leaves the body. I think it is.
The rest was comparatively mundane. Scalding, defeathering, and eviscerating were fascinating but purely technical. I was now dealing with food. Very good food.
That night we feasted on coq au vin. If you've had coq au vin, it was probably an eight week old broiler. Maybe a ten or twelve week old, if you got a heritage breed from a small farm. But coq au vin, that brilliant Provencal chanson of rooster, red wine, pork belly, onions, tomatoes (older recipes may call for mirepoix instead), mushrooms, stock, and herbs, was invented for a different beast. A young broiler is tender and bland, an excellent base for applying herbs, oils, spices, what have you. It can easily be roasted or fried. It is forgiving. It is easy. That's why we eat so much of it. That, and it's cheap, because it lives only two months, three at the very most, so it doesn't eat too much or occupy real estate for too long. Genuine coq au vin calls for a farmyard rooster at least nine months old. Big Shot was just about a year old. His legs and thighs were big and meaty. Not much breast. His bones were long, slender, and hard. The colors of his flesh were altogether darker and richer. He could not be roasted or fried. Old meat has to be braised or stewed, but treated properly, possesses incredible flavor. I believe we honored Big Shot. We certainly enjoyed him. He is, of course, now part of us.
And that is the point. We are what we eat. We are also what what we eat eats. And so on. In other words, we are our landbase. And we must care for the health of our landbase at least as much as we care for our own narrowly defined bodies, for the two are inextricable. Are factory farms part of your landbase? Denuded prairies and wetlands and aquifers toxified by the natural gas industry? How can you take responsibility for your landbase? How can you redefine your landbase on a more personal, local level, where you realistically can take responsibility? How can you build community so you can act with others to address the problems too big for you alone? Can you kill? Because if you can't, or won't, you will starve. If you live in a bioregion where coconuts, olives, and avocados are impossible to grow, as I do, you will have to learn to kill animals as well as plants, or your health will soon collapse through malnutrition.
Killing is profound, but it need not be evil. Prey need their predators just as predators need their prey. Without their predators, including indigenous humans, the bison would have spread out across the prairie rather than moved in tight herds, and they would have thereby denied the native grasses the conditions in which they outcompeted invaders, and the prairie would have collapsed, and the bison would have largely died off, along with their predators. We evolved to live in balance.
I enjoy the presence and lives of chickens, cattle, pigs, guineas, sheep, goats, and so on. I would be sorry to see them disappear, but their presence depends upon our continued predation. Our continued presence does, too. If we can learn to take responsibility, kill with honor, take no more than we need, and always put the health of the ecosystem first, we will find that death is no end but rather a profound transition.
Who am I? I am Big Shot. I am Bro, the highland bull. I am thousands of other plants and animals, many from within a few miles of here, some from across the world. I am Bradbury Mountain, for I eat her mushrooms and drink her water. I am the clouds above Maine. I am the oxygen exhaled by these woods and the carbon they produce, using the power of the sun, from what I exhale. I am the sun. Who are you? Are we taking care of ourselves? How can we do better? This is no rhetorical question. The fate of the world depends upon our answers.

Sunday, July 18, 2010

Yeast, Bacteria, and Fungus

Yesterday was another good day in black trumpet land. A smaller find than in some of the previous days, but it's always exciting to find black trumpets. I'm afraid, though, that my infatuation with the trumpet is undermining my long affair with chanterelles. I trust it'll all work out. Here are some of those trumpets (and my toes) drying in the sun:


I also got around to making a new batch of sauerkraut. Such an amazing food, and so much better than even the best stuff you can buy in stores (though I can't imagine why). By the way, if you've never made it, it couldn't be simpler. Chop up some cabbage, mash it up with salt until it releases moisture, stuff it into a glass or ceramic container, and weight it down to make sure it stays submerged in brine (add water as needed). Then let it sit out until it looks, smells, and tastes really good. Here's mine:


Brewing sauerkraut in the heat was not traditionally done, but works fine. It just brews faster, which means you also have a smaller window of opportunity for stopping the fermentation and getting it into the fridge while its flavor is optimal. Anyhow, I'm thrilled to have good local organic cabbage to work with, once again. Summer is good.

Cheers,

David

Update 7/19. Today was a really good day for shrooms: